In a wonderful combination of Jazz, World and Chamber music, John Zorn have on this album, taken the music of his Hebrew background, using traditional Jewish melodies and scales from the Hebrew folk tradition, and arranged them for a modern Jazz/Chamber setting.
Even though Zorn is saxophonist and multi-instrumentalist himself, on this album, he is composer and producer only. First half of the project called “Issachar”, performed by a trio of Violin – Cello – Bass. The second half called “Zevulun” performed with the addition of Guitar – Percussion – Drums.
Zorn (born September 2, 1953) usually known as an American avant-garde composer, working with almost any kind of experimental music since the mid 70’s, trying to expand on the borders and eliminate the limits of music.
This album from his “Masada” project, traditional in its origin, seems very calm and soft, Zorn said about the hundreds of songs he has written in this tradition : “The project for Masada was to create something positive in the Jewish tradition something that maybe takes the idea of Jewish music into the 21st century”
The musicians on the project was :
Mark Feldman: Violin – Erik Friedlander: Cello – Greg Cohen: Bass
Marc Ribot: Guitar – Cyro Baptista: Percussion – Joey Baron: Drums